Kushi written and directed by Shiva Nirvana is the story love, marriage and thereafter of Viplav Devarakonda (Vijay Devarakonda) and Aaradya (Samantha Ruth Prabhu) who hail from different backgrounds from faith perspective. Aaradhya’s father (Murali Sharma) is a spiritual speaker who believes in God and rituals whereas Viplav’s father (Sachin Khedekar) is a famous atheist and scientist. They oppose the marriage due to horoscope mismatch for which Aaradhya’s father demands to perform some rituals and Viplav’s father rejects its outright. The rest of the movie deals with whether the couple can sustain their marriage despite their differences in faith and if they are different from their parents, as they think they are. This is presented in a feel-good pastel shade with extremely good-looking lead pair and a concluding message. Read on for the long review. Beware of spoilers.
In the beginning, Viplav is shown as an adventurous young man who
wants to experience life and its grandness. He requests a posting to Kashmir
because of the Mani Ratnam-AR Rahman influence. He meets Pitobosh (Vennela
Kishore) who brilliantly supports the comic streak in the first half and very
soon realizes that life in Kashmir is not as rosy as he had imagined. Then he
meets Aardhya and falls in love at first sight though he thinks she is a Pakistani
Muslim. The situations are so comical that most of the first half is breezy.
There are beautiful people against the backdrop of beautiful locations and then
there is love! There are a handful of scenes that celebrates The Vijay Devarakonda’s
cult status and Samantha’s popular movies. His broken Hindi also yields some
laughter. The cinematography captures the feel-good vibe and the snow-capped
Kashmir mountains beautifully. Editing is alright, yet 2 hours and 45 minutes
seemed too long. Music director Hesham Abdul Wahab’s songs are a big hit
already and he has done an amazing work with the background score as well,
letting silence linger when needed.
Saranya Ponvannan as Viplav’s mother aces it because it is a character,
she has played many times. Rahul Ramakrishna plays Viplav’s friend (again) and
does that with the irritating pitch he had used in Geetha Govindam. The
Vijay Devarakonda plays the character with charming breeze. He looks cute and
handsome as ever and tries his best to be the best. Samantha looks cute as ever
and has tried to own the character as much as she can. There is good chemistry
between them, but the conviction in the screenplay is missing.
The movie carries a message that humanity transcends beyond faiths
and beliefs. While the message as such is a good concept, the overall presentation
is generic.
The problem with writing begins in the second half. Montages over
a song shows how happily married the couple are and that strangely is not convincing
enough. Also, immediately after marriage, Aaradhya seems to be obsessed with
getting pregnant and takes test month after month. Where did the adventurous streak
that Viplav claimed to have go? After an emotional event, they start fighting so
much that Aaradhya appears sad all the time and Viplav angry. Their falling
apart is not organic enough. Then there are several scenes screaming misogyny. An
elderly couple (Jayaram and Rohini) advise time and again that a wife could
keep her husband happy if she cooks the food he likes. Therefore, the vegetarian
wife cooks fish for him! However, in one of the earlier scenes, she runs away
puking while she knows that the food that she touched had meat! Then there is a
scene where Viplav preaches a guy who misbehaves with Aaradhya that when a woman
visibly appears married with the black beaded chain on her neck and toe ring,
he is supposed to understand there is a husband who could beat him to death.
Well, does that mean it is alright to misbehave with unmarried women or married
women who don’t visibly appear so? There is also a scene where Aaradhya’s
manager acknowledges that she is his pet and one where a foreign client flirts
with her in an office party. That kind of remarks are not encouraged in MNCs
these days are disciplinary actions would be taken if such instances are
reported. But these are included so that Viplav overhears and feels dejected his
wife did not slap the foreign client for flirting. No woman with brains would
do that. She would only try to walk away like how Aardhya does. Cherry on the
cake comes when Viplav beats her manager because he didn’t allow him and his friend
to have free alcohol reserved for the party! And of course, the wife bashing
song erupts out of nowhere. In the climax, we even see Aaradhya explaining why
God is important to her because there are things that she could share with Him
only and we see Viplav nod without volunteering to be an empathetic friend
first.
The backstory of the elderly couple was moving. But it seemed to
be out of place and included only to teach the young couple a lesson. Movies like
Alaipayuthe and Ok Kanmani also had such characters, but they were not preachy.
Deliberately quoting Mani Ratnam films here because this one seems to have
heavily inspired with references like Roja, Dil Se and an entire song with his
movie names!
Last but not least, what was that with the end credits? It looked forced
and generic. Overall, it is a feel-good film for the most part and could have
been lot better.
Cast |
: |
Vijay
Devarakonda, Samantha Ruth Prabhu, Sachin Kedhekar, Murali Sharma, Sharanya
Ponvannan, Jayaram, Rohini, Vennele Kishore, Rahul Ramakrishna |
Director |
: |
Shiva
Nirvana |
Cinematographer |
: |
Murali G |
Music |
: |
Hesham
Abdul Wahab |
Editor |
: |
Prawin
Pudi |
Producer |
: |
Mythri
Movie Makers |
Release Date |
: |
September
01, 2023 |
Length |
: |
2 Hours
and 45 Minutes |
Language |
: |
|
No comments:
Post a Comment